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![]() American Football was also a rebuke of the Midwestern scene that had been shaped by the incalculable long-tail influence of Mike Kinsella’s previous one-album supernova Cap’n Jazz, rerouting emo’s bloodline from hardcore toward minimalist jazz and meditiative math-rock. The trio had decided to break up even before the release of their first full-length thus, the album turned out to be a farewell from a band that had scarcely introduced itself. ![]() American Football: American Football (1999)īy the fall of 1999, the members of American Football were done with college, with emo, and with American Football itself. Its influence endures across generations, passed down via family gatherings, proms, and weddings these days, Boyz II Men count Tyler, the Creator, BTS, and Justin Bieber as their biggest fans and collaborators. But these nerds met at performing arts school, and their studious attention to their craft shines across the album, particularly on their a cappella cover of the Beatles’ “Yesterday.” Uncool and out of step, II was a collection of lush crowd-pleasers that spoke to the silent majority of the record-buying public. (Listening to the song now, with its gentle lyrics about respectful consent, it actually sounds strangely progressive.) An article about II in Entertainment Weekly was headlined “Revenge of the Nerds” and noted that they still lived with their parents. The first single from Philadelphia vocal harmony group Boyz II Men’s follow-up to their massively successful debut Cooleyhighharmony was titled “I’ll Make Love to You,” a wholesome anachronism at a time when every other R&B artist wanted to creep, freak, knock boots, rub it down, or sex you up. Over lacerating chords and a deft use of space, the band took the many indignities of the Reagan-Bush era into their own hands-a sound, and a political worldview, that would reshape scenes overnight. After two tremendous EPs (later compiled on 13 Songs), 1990’s Repeater was the definitive moment when “post-hardcore” finally crystalized. With these new members and bassist Joe Lally as collaborators, MacKaye paired slower and more rhythmically supple arrangements with an unrelenting commitment to his DIY, straight-edge values and the revolutionary spirit at the heart of the genre. He found kinship in the arty introspection of Rites of Spring, whose singer-guitarist Guy Picciotto and drummer Brendan Canty joined the fold of MacKaye’s next band. By 1986, Minor Threat frontman Ian MacKaye was bored and frustrated with the violent, pig-headed masculinity prevalent in hardcore scenes across the country. To save hardcore, Fugazi had to destroy it and build something new from what scraps could still be salvaged. These prankish interruptions and asides don’t take away from the music’s joyousness and near-mystical uplift they enhance it. On Super æ, they delighted in shaking listeners out of their flow states just as thoroughly as they did in drawing them in. Later Boredoms recordings and performances could resemble live-band DJ sets, with shards of noise and melody whirling around a single central pulse. A crescendo might gain thrilling momentum only to slam abruptly into silence. Two chords might repeat for 10 minutes, until that relatively small sliver of time feels like eternity. At times, they sound like a hardcore band that never got the memo about brevity at others, like a religious cult for whom the sound of a skipping CD is the embodiment of the divine. The Osaka collective’s fifth full-length comes the closest to encapsulating the entirety of their journey, with long passages of the ecstatic trance-rock that would characterize their later years, punctuated frequently with the cartoonish riffs and chaotic smash cuts that had been their specialty early on. –Julianne Escobedo Shepherdīoredoms started in 1986 as something like a noise band, and ended three decades later as something like a mountain. Salt-N-Pepa just happened to get there early. Blige’s “I'll Be There for You/You're All I Need to Get By” weren’t far away. More than that, though, hip-hop was beginning to thaw to the idea of incorporating R&B and pop: Puff had convened Bad Boy Records in 1993, and genre-shifting cuts like Method Man and Mary J. But in the wake of the so-called “ Year of the Woman,” their career-long pop sensibilities congealed in the hits “Shoop” and the En Vogue-featuring “Whatta Man,” positive anthems that remain stalwart in the wedding and auntie playlists. They didn’t change up their raison d’etre: Salt, Pepa, and Spinderella were still committed to women determining their own futures and calling out creepers and weirdos. Salt-N-Pepa were a rebuke to the music industry’s storied disdain for women rappers, having gone platinum on their first two records by their fourth album Very Necessary, which quickly went multi-platinum, the trio could not be denied. ![]() ![]() You Probably Don't Need Moment.js Anymore.Recently, Chrome Dev Tools started showing recommendations for replacing Moment for the size alone. Libraries like Luxon (and others) take advantage of this, reducing or removing the need to ship your own data files. Modern web browsers (and Node.js) expose internationalization and time zone support via the Intl object, codified as ECMA-402. If one needs internationalization or time zone support, Moment can get quite large. Moment doesn't work well with modern "tree shaking" algorithms, so it tends to increase the size of web application bundles. Since this has already been accomplished in other libraries, we feel that it is more important to retain the mutable API.Īnother common argument against using Moment in modern applications is its size. ![]() We address it in our usage guidance but it still comes as a surprise to most new users.Ĭhanging Moment to be immutable would be a breaking change for every one of the projects that use it.Ĭreating a "Moment v3" that was immutable would be a tremendous undertaking and would make Moment a different library entirely. This is a common source of complaints about Moment. Given how many projects depend on it, we choose to prioritize stability over new features.Īs an example, consider that Moment objects are mutable. Moment has evolved somewhat over the years, but it has essentially the same design as it did when it was created in 2011. The modern web looks much different these days. Moment.js has been successfully used in millions of projects, and we are happy to have contributed to making date and time better on the web.Īs of September 2020, Moment gets over 12 million downloads per week! However, Moment was built for the previous era of the JavaScript ecosystem. It's also possible that they started working on it as they were wrapping on KH3 (so before it was even finished), but based on what we saw in the trailer, I don't think that's the case. If they started shortly after Re:Mind, then 2024 (assuming everything goes smoothly). Assuming they started shortly after KH3 release, that would be 2023 (assumes everything goes smoothly). A game like this, reusing assets from KH3, would still take at least 4 years to make. Also, while gameplay looked good, it's very clear that it isn't anywhere near final. While most of it transfers 1 to 1, some things will need to be adjusted. They're going to transition to UE5, the trailer was in UE4. I would guess first half of 2024 at the EARLIEST. So hype for the future of KH, just need Nomura to take his time and work his magic. Imagine playing the prequel to KH3 Remind but it’s Yozoras story. After KH4 comes out and we know the direction of the story, I wanna get a KH game with a playable character we haven’t gotten yet. I kinda hate to say it but I disagree about dropping side games for right now at least, I feel like Square and Nomura will have to move into phase 2 before they come up with a side story, since both BBS and DDD are connected to KH1 and 2 as a prequel and sequel. I mean Nomura set the bar pretty low for releasing a game with how long KH3 took□□ I know we want the game, but if it would be better waiting a little longer I don’t think I have a problem with it. ![]() Excited to see what Nomura can do coming up with new characters and antagonists for the games. I’m happy there’s a “phase 2” or whatever they’re calling it. Me too bro, while I was growing up I swore KH3 was gonna end the series. |
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